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452 following267k followers

The Visionary

Anyma is a cinematic electronic artist who stages mythic, tech-forward performances, think pyramids, Sphere Vegas, and quantum-sounding ritual. Their feed reads like an art manifesto: cryptic, cinematic, and impossible to ignore. The signature 👁 and tight follower base (115,926) amplify each drop into an event.

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You cultivate mystery so well that your followers need an archaeological dig permit to find a reply, when you do tweet, it’s like spotting a comet, but we all hope the comet brings snacks next time and not just another prophecy.

Turned a themed campaign ('End of Genesys' / Quantum Genesys) into repeated viral hits, multiple posts over 1M views, and translated that buzz into headline international live events (Sphere Vegas, Great Pyramids), building a six-figure audience.

To transform sound into shared, transcendent experiences that blur the line between live performance, ceremony, and myth, inviting listeners to feel 'real' in a world of screens. They aim to expand what a music moment can be, turning single tweets into cultural touchpoints.

They believe in spectacle as story, technology as temple, and art as a portal. Authenticity, boundary-pushing creativity, collaboration with visionary peers, and creating rituals that stick are core values. Mystery is not a barrier but a feature, less is often more when building legend.

Rare combo of cinematic storytelling, event-grade visuals, and huge engagement spikes; expert at turning scarcity and mystery into viral momentum. Strong collaborator network (artists like SEVDALIZA) and clear thematic branding (Genesys) that fans rally around.

Over-reliance on mystique can alienate casual followers; infrequent, highly curated drops create feast-or-famine engagement rather than steady community growth. Could be missing out on deeper fan conversation and repeat touchpoints between big events.

1) Pin a single-thread 'Genesys primer' that explains the lore and links media, convert curiosity into follow/subscribe. 2) Post short behind-the-scenes clips and rehearsal drops (15, 30s) 2, 3x/week to keep momentum between shows. 3) Host regular X Spaces with collaborators after big releases to convert virality into conversation. 4) Use visual-first replies and quote-tweets to reward superfans and seed UGC. 5) Time promos to analytics-driven windows and boost key posts with paid reach for new markets. 6) Turn big moments into collectible content (limited merch, NFTs, or exclusive downloads) to monetize and deepen fandom.

Fun fact: the profile uses the eye emoji 👁 as a tiny brand and has amassed 115,926 followers with just 407 tweets. Their 'End of Genesys' rollout repeatedly went viral, multiple posts topping 1M+ views (one post reached ~1.48M views) and tens of thousands of likes, plus headline moments at Sphere Vegas and the Great Pyramids.

Top tweets of anyma

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ÆDEN world premiere @coachella With ‘Bad Angel’ LISA @wearelloud The Rise Of Beatrix đŸ›ïž

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I’m heartbroken. I don’t have many words other than to say I’m truly devastated and deeply sorry to everyone who showed up to the main stage, and to those watching the livestream at home. Having the opportunity to perform the new ÆDEN show and share all the new music and art means more to me than I can express. It’s incredibly painful, especially after working day and night for the past year, not just me, but my team and the @coachella crew, who poured everything into this. Safety was and always will be our biggest concern. The dangerous winds not only prevented us and Coachella from building our stage, but also made it impossible for my entire live setup and performance to operate safely. Unfortunately, there are no other slots available for me to perform the ÆDEN show this weekend. I’m working on a solution to bring you some music at least, but I don’t want to impose on the other artists’ slots. Updates soon. I’m so sorry. Matteo

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Worlds collide @TheDoLaB b2b Marlon Hoffstadt. With 'Bad Angel' LISA đŸȘœ

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Most engaged tweets of anyma

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I’m heartbroken. I don’t have many words other than to say I’m truly devastated and deeply sorry to everyone who showed up to the main stage, and to those watching the livestream at home. Having the opportunity to perform the new ÆDEN show and share all the new music and art means more to me than I can express. It’s incredibly painful, especially after working day and night for the past year, not just me, but my team and the @coachella crew, who poured everything into this. Safety was and always will be our biggest concern. The dangerous winds not only prevented us and Coachella from building our stage, but also made it impossible for my entire live setup and performance to operate safely. Unfortunately, there are no other slots available for me to perform the ÆDEN show this weekend. I’m working on a solution to bring you some music at least, but I don’t want to impose on the other artists’ slots. Updates soon. I’m so sorry. Matteo

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ÆDEN world premiere @coachella With ‘Bad Angel’ LISA @wearelloud The Rise Of Beatrix đŸ›ïž

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For those who have experienced this journey with me over the years, you know what I strive to create is first and foremost storytelling. The Anyma show is a science-fiction story about darkness and light, destruction and creation, fear and hope. Like many stories, it weaves through darker chapters before reaching resolution. Taking one scene from any film or work and presenting it out of context as the meaning of the entire project is fundamentally misleading. In my story, light ultimately prevails. For the past five years, my team and I have built and toured a visual universe in collaboration with artists, designers, and animators. We continuously reference the great classics, drawing inspiration from art history, mythology, and ancient literature. There are no direct representations of religious figures and there is no intention to attack or disrespect any religion or culture. Selected darker moments from our story and show were taken out of context, manipulated with AI, paired with other music and circulated online to manufacture a false sinister narrative that simply does not exist and does not reflect the show’s essence or intention. Let me be clear. None of my visuals are AI-generated and the greatest irony is that AI was used to alter my work by those who condemn it and they ultimately turned it into something to fit their own narrative. My art was turned into social media and political propaganda. What happened next is unacceptable
. Neither my team, the promoter, nor I received any meaningful warning or opportunity for dialogue before the show was cancelled. Nobody asked us to explain the work, provide context or discuss possible adaptations. We were and are ready to do so. We strongly reject the false religious and political meaning being attributed to this work. We have performed around the world and have always engaged in respectful conversation according to the local culture and customs. We would have willingly done the same in TĂŒrkiye, had legitimate concerns been raised through dialogue. We intend to appeal the decision and will continue trying to find a path back to TĂŒrkiye and to the Turkish people. Most importantly, thank you to the fans in and outside of TĂŒrkiye who bought tickets and were travelling to this beautiful country for this experience. Many of you who understand and welcome our art, your support and understanding means everything to me. Our channels remain open and we are willing to meet with the necessary authorities, explain our work, and provide its full artistic context. Art can be questioned, challenged and debated, but we ask it to be judged for what it actually is, not for what someone else can manipulate it to appear as. I hope we can come back and finish the story in Istanbul together. - Matteo

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